{"id":957,"date":"2010-07-25T00:51:55","date_gmt":"2010-07-24T23:51:55","guid":{"rendered":"http:\/\/mikebuffington.net\/?p=957"},"modified":"2010-08-05T16:54:30","modified_gmt":"2010-08-05T15:54:30","slug":"35th-vermeer","status":"publish","type":"post","link":"https:\/\/archive.mikebuffington.net\/02\/?p=957","title":{"rendered":"35th<\/sup> Vermeer"},"content":{"rendered":"


\n<\/p>\n

In some ways I have finished my Vermeer Quest. I have seen 34 of the 35 known Vermeers. The remaining one is the stolen “The Concert.” Of the two disputed Vermeers, I have yet to see “Saint Praxedis,” which I believe is on display in New Jersey<\/del> is in storage in Europe somewhere. I need photos with the 3 in the Frick, 4 in the Rijksmuseum, and 3 in the Mauritshuis. I have seen those and have some photos of the paintings, but not with them as well.<\/p>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Painting<\/th>\nDate Seen<\/th>\nLocation<\/th>\nCity<\/th>\nPhoto<\/th>\n<\/tr>\n
United States of America<\/th>\n<\/tr>\n
Woman with a Lute near a Window<\/td>\n02\/06\/2008<\/td>\nMetropolitan Museum of Art<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
Woman with a Water Jug<\/td>\n02\/06\/2008<\/td>\nMetropolitan Museum of Art<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
Portrait of a Young Woman<\/td>\n02\/06\/2008<\/td>\nMetropolitan Museum of Art<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
The Allegory of Faith<\/td>\n02\/06\/2008<\/td>\nMetropolitan Museum of Art<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
A Girl Asleep<\/td>\n03\/29\/2009<\/td>\nMetropolitan Museum of Art<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
A Young Woman Seated at the Virginals<\/td>\n03\/29\/2009<\/td>\n(displayed in the Metropolitan Museum of Art)<\/td>\nNew York<\/td>\nwith<\/td>\n<\/tr>\n
Girl Interrupted at her Music<\/td>\n02\/03\/2008<\/td>\nFrick Collection<\/td>\nNew York<\/td>\nno<\/td>\n<\/tr>\n
Mistress and Maid<\/td>\n02\/03\/2008<\/td>\nFrick Collection<\/td>\nNew York<\/td>\nno<\/td>\n<\/tr>\n
Officer with a Laughing Girl<\/td>\n02\/03\/2008<\/td>\nFrick Collection<\/td>\nNew York<\/td>\nno<\/td>\n<\/tr>\n
Girl with a Red Hat<\/td>\n02\/04\/2008<\/td>\nNational Gallery of Art<\/td>\nWashington<\/td>\nwith<\/td>\n<\/tr>\n
A Woman Holding a Balance<\/td>\n02\/04\/2008<\/td>\nNational Gallery of Art<\/td>\nWashington<\/td>\nwith<\/td>\n<\/tr>\n
A Lady Writing a Letter<\/td>\n02\/04\/2008<\/td>\nNational Gallery of Art<\/td>\nWashington<\/td>\nwith<\/td>\n<\/tr>\n
Girl with a Flute (disputed)<\/td>\n02\/04\/2008<\/td>\nNational Gallery of Art<\/td>\nWashington<\/td>\nwith<\/td>\n<\/tr>\n
The Concert (stolen 3\/18\/1990)<\/td>\n<\/td>\nIsabella Stewart Gardner Museum<\/td>\nBoston<\/td>\n<\/td>\n<\/tr>\n
Saint Praxedis (disputed)<\/td>\n<\/td>\nBarbara Piasecka Johnson Collection<\/td>\nPrinceton<\/td>\n<\/td>\n<\/tr>\n
Deutschland<\/th>\n<\/tr>\n
Woman with a Pearl Necklace<\/td>\n08\/22\/2005<\/td>\nGemäldegalerie<\/td>\nBerlin<\/td>\nwith<\/td>\n<\/tr>\n
A Lady Drinking and a Gentleman<\/td>\n08\/22\/2005<\/td>\nGemäldegalerie<\/td>\nBerlin<\/td>\nwith<\/td>\n<\/tr>\n
The Geographer<\/td>\n01\/03\/2009<\/td>\nStädelsches Kunstinstitut<\/td>\nFrankfurt am Main<\/td>\nwith<\/td>\n<\/tr>\n
The Procuress<\/td>\n01\/07\/2009<\/td>\nGemäldegalerie Alte Meister<\/td>\nDresden<\/td>\nwith<\/td>\n<\/tr>\n
Girl reading a Letter at an Open Window<\/td>\n01\/07\/2009<\/td>\nGemäldegalerie Alte Meister<\/td>\nDresden<\/td>\nwith<\/td>\n<\/tr>\n
The Girl with the Wineglass<\/td>\n07\/11\/2010<\/td>\nHerzog Anton-Ulrich-Museum (Displayed in Burg Dankwarderode)<\/td>\nBraunschweig<\/td>\nwith<\/td>\n<\/tr>\n
Nederland<\/th>\n<\/tr>\n
The Little Street<\/td>\n01\/29\/2005<\/td>\nRijksmuseum<\/td>\nAmsterdam<\/td>\nof<\/td>\n<\/tr>\n
The Milkmaid<\/td>\n01\/29\/2005<\/td>\nRijksmuseum<\/td>\nAmsterdam<\/td>\nof<\/td>\n<\/tr>\n
Woman in Blue Reading a Letter<\/td>\n01\/29\/2005<\/td>\nRijksmuseum<\/td>\nAmsterdam<\/td>\nof<\/td>\n<\/tr>\n
The Love Letter<\/td>\n12\/30\/2008<\/td>\nRijksmuseum<\/td>\nAmsterdam<\/td>\nno<\/td>\n<\/tr>\n
Diana and Her Companions<\/td>\n09\/01\/2005<\/td>\nMauritshuis<\/td>\nDen Haag<\/td>\nof<\/td>\n<\/tr>\n
View of Delft<\/td>\n09\/01\/2005<\/td>\nMauritshuis<\/td>\nDen Haag<\/td>\nof<\/td>\n<\/tr>\n
Girl with a Pearl Earring<\/td>\n09\/01\/2005<\/td>\nMauritshuis<\/td>\nDen Haag<\/td>\nof<\/td>\n<\/tr>\n
Österreich<\/th>\n<\/tr>\n
The Allegory of Painting<\/td>\n07\/07\/2010<\/td>\nKunsthistorisches Museum<\/td>\nWien<\/td>\nwith<\/td>\n<\/tr>\n
France<\/th>\n<\/tr>\n
The Astronomer<\/td>\n07\/04\/2010<\/td>\nLouvre<\/td>\nParis<\/td>\nwith<\/td>\n<\/tr>\n
The Lacemaker<\/td>\n07\/04\/2010<\/td>\nLouvre<\/td>\nParis<\/td>\nwith<\/td>\n<\/tr>\n
Éire<\/th>\n<\/tr>\n
Lady writing a Letter with her Maid<\/td>\n01\/09\/2009<\/td>\nNational Gallery of Ireland<\/td>\nDublin<\/td>\nwith<\/td>\n<\/tr>\n
United Kingdom<\/th>\n<\/tr>\n
Christ in the House of Martha and Mary<\/td>\n04\/15\/2010<\/td>\nNational Gallery of Scotland<\/td>\nEdinburgh<\/td>\nwith<\/td>\n<\/tr>\n
The Music Lesson<\/td>\n08\/06\/2009<\/td>\nQueen’s Gallery<\/td>\nLondon<\/td>\nwith<\/td>\n<\/tr>\n
The Guitar Player<\/td>\n02\/28\/2008<\/td>\nIveagh Bequest Kenwood House<\/td>\nLondon<\/td>\nwith<\/td>\n<\/tr>\n
Lady Standing at a Virginal<\/td>\n09\/23\/2008<\/td>\nNational Gallery<\/td>\nLondon<\/td>\nwith<\/td>\n<\/tr>\n
Lady Seated at a Virginal<\/td>\n02\/28\/2008<\/td>\nNational Gallery<\/td>\nLondon<\/td>\nwith<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[16],"class_list":["post-957","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-vermeer"],"_links":{"self":[{"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/posts\/957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=957"}],"version-history":[{"count":9,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/posts\/957\/revisions"}],"predecessor-version":[{"id":963,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=\/wp\/v2\/posts\/957\/revisions\/963"}],"wp:attachment":[{"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.mikebuffington.net\/02\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}